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Here we are, then: Hellboy take three. After Guillermo del Toro’s superb 2004-to-’08 double bill and Neil Marshall’s bloated 2019 attempt to take things into harsher action-horror territory, we now get the purist’s approach.

Directed by Brian ‘Crank’ Taylor, who also co-wrote the script with Hellboy creator Mike Mignola (drawing heavily on his limited-edition series), Hellboy: The Crooked Man strips away the fantastical spectacle and brings its diabolic hero down to ground level, as it were, in a gritty low-fi chiller.

Similarly to Matt Reeves’ The Batman, there’s thankfully no attempt to re-tell Hellboy’s origin story.

We’re just dropped right into another day at the office — or rather field trip — picking up with Red and his obligatory attractive-female sidekick (Adeline Rudolph) while they’re transporting a magically mutated funnel-web spider from A to B.

Shit swiftly goes south in a little train-crash/monster-tussle set-piece that’s fu